Tag: money

  • 18 9 12 ONE EIGHTEEN (Sub Samp Mix)

    18 9 12 ONE EIGHTEEN (Sub Samp Mix)

    For Best Viewing set Video Player Settings above to 1080p HD and GO Full Screen!

    A Dedication to Erika’s Journey:

    Been some time now. Things have changed but I’m still on top of my game. I’m not dead because no devil would want me and the gods may think I still need some more learning. Fine. Slowly I rekindled my love for the blues. Hard to feel anything without the blues, you know. True love is a string moaning under a fingertip. Where in the five hundred chunks of Amerika are you now?

    I’m pretty indifferent to it now. I’ve seen it all, and I know how to test myself. The ultimate test is the vicious dog walking down the street right now. I can walk up to him and his eyes would tell me that he likes me, even if he instinctively chomps a piece out of me, he still likes me. You worry about the high double-mattress bed, the red carpet, the television hooked to the wall with a modern day tribesman’s nose ring, the sun’s rays illuminating the view through the open screen door, the table with the lamp and the notepad, the equalized bathroom shot, the wallpaper giving off the marble impression, the way the water is rerouted to jive hot and cold through the pipes. Who the fuck did all this to your head? “That’s when fate brought you into my life” is a line you can give the ones who are drained of energy, need, life and perpetual motion. I don’t have much time, you know. Half the year is gone and it’s going to be exactly a few years in September. Remember that night when you escorted me to the hotel room, looked around to make sure things would be alright for me, and eyed the swimming pool with a bit of nostalgia? I’ve got news for you: the water was hard and cold that night, but I slept in it and dreamed of you. The smog was suffocating me but I lit the cigarette anyhow. It rained spoons that night. I was naked in the pool, wishing for a human to come by and scorn me at the smallest hour of the morning. The chemical plant across from the hotel’s parking lot loomed like the devil in a purple shawl over the whole scene, but I slept and dreamed of you and the roses that were always met by your approval but never lived beyond the thought. The petals in the bucket and the towel around you. Lost in Amerika but there’ll always be enough money for the 1800 miles to come. I knew I’d go back home, but I thought I would stop in New York for a while. I smelled it on you when you were sleeping and I slithered under the garment to soak your tired aroma like a sponge absorbing a lemon’s toxic heart. I imagined that the scent was your pain and my lungs were sucking it in. I wanted your pain in addition to mine. In the end I chickened out and stopped at that. Didn’t dare touch you. Sometimes I wonder what would have happened if I had. Would you have gone to the bathroom and soaked in the water and drugs? Would you have craned your neck and uttered some analytical rubbish acquired from medical trade paperbacks? Would you have moaned and curled every muscle with pleasure? I’ll never know. One day I will see you staring into the margarita glass and I’ll have a hint, but I’ll never know for sure. I never stopped in New York. Knoxville and the incident under the birch made me break the speed limits of four states and one province. At the border they saw all the dirt on the car and tried to add four hours of misery to my life, but I just sat at a table across from a coin machine, with clouds of smoke over my head, and slept like a baby. Dreamed of you and the cold water. When I was back behind the wheel, at a safe distane from those unionized asses and the noisy falls, I looked around and saw the stain you left on the passenger seat, the dog’s poils all over the dashboard. My face was wet, and no cold water here. I pushed a button and Patsy Cline, from beyond the grave, worked for the money she once earned.

    SOURCE:

    Just showed up on my desktop, not in any download logs, so I must consider it a request. I hope it aids Erika on her journey. Thank You in Gratitude.

    General Info:

    18 9 12 ONE EIGHTEEN (Sub Samp Mix)‘ kaleidoscopic fractal visual contains 2010 individual frames comprising 1 minute 51 seconds of video at 18 frames per second.

    It is truly amazing when explored with an open mind the shear amount of 6D/7D beings expressing themselves in a collective consciousness manner.

    Explore these Frames. Happy Hunting!

    Be sure and put slideshow below into full screen mode.

    Music:

    Music License:  CC BY-NC-SA 3.0
    18 9 12 OneEighteen (Sub Samp Mix) by Seth Dennon using http://eng.musicshake.com
    Music Source link: http://eng.musicshake.com/song/171492

     

    Software Used:

    Apophysis 7X.14 – http://apophysis.xyrus-worx.org/
    Apophymator 10x – http://morphapoph.deviantart.com/art/Apophymator-10x-178384717
    flam3 – http://flam3.com/
    Kaleider 4.8.1 — http://www.whizical.com/index.htm/
    GIMP 2.8 – http://www.gimp.org/
    VirtualDub APNG MOD 1.9.11 – http://www.virtualdub.org/
    VirtualDub Filter Pack 2011 – http://codecpack.co/download/VirtualDub-Filter-Pack.html
    AVS Video Converter 8.2 – http://www.avs4you.com/AVS-Video-Converter.aspx

     

    Source & Settings Files:

    Apophysis Animation Sequence – http://media.sethdennon.com/18 9 12 ONE EIGHTEEN (Sub Samp Mix) – Sequence Set Params.flame
    VirtualDub Settings Parameters – http://media.sethdennon.com/18 9 12 ONE EIGHTEEN (Sub Samp Mix) – VirtualDub Settings.vcf
    GIMP Overlay Files – http://media.sethdennon.com/18 9 12 One Eighteen (Sub Samp Mix) GIMP FILES.zip
    Overlays BMP & PNG files – http://media.sethdennon.com/18 9 12 One Eighteen (Sub Samp Mix) Overlays.zip
    Source Fractal Render – http://media.sethdennon.com/18 9 12 ONE EIGHTEEN (Sub Samp Mix) – Apophysis Fractal Sequence Render.zip
    Source Kaleidoscopic Render – http://media.sethdennon.com/18 9 12 ONE EIGHTEEN (Sub Samp Mix) – Kaleidascope Render.zip
    Source Post Processed files available at – http://www.flickr.com/photos/sethd8/sets/72157631704757810/

    FONTS:

    Downloaded via http://urbanfonts.com
    Amerika, Amerika Alternates – http://media.sethdennon.com/amerika.zip
    Automind, Automind Italic – http://media.sethdennon.com/automind.zip

     

    Download Site of Selected Works in 1920×1080 HD h.264 MP4

    SethD8’s Public DropBoxhttp://sethto.us/dload

     

    Visual Work Concepts translated from articles posted on:
    http://dimensionalbliss.com
    Over 18,000 articles, videos and artworks shared since 2006.

    Member Artist of QAGI/EGOCREANEThttps://sites.google.com/site/quantumartgroupitaly/

    + ::…
    + I am ::…
    + Love, Light, Unity and the One we is | IN JoY ::…
    + The way within :-: is the way is the way out ::…
    + I am ::…
    + We Is ::…
    + NOW Make It So ::…
    + NOW So Be It::…
    + NOW It Is S.o ::…
    + .:..:..::…:::…:::::…::::::::…:::::::::::::…::::…:::::::::::::::::…::::::::…

     

    Creative Commons License
    18 9 12 ONE EIGHTEEN (Sub Samp Mix) by Seth Dennon is licensed under a Creative Commons Attribution 3.0 Unported License.
    Based on a work at http://dimensionalbliss.com.
    Permissions beyond the scope of this license may be available at https://sethdennon.com/free-cultural-works/.

    18 9 12 ONE EIGHTEEN (Sub Samp Mix) – XMP Sidecars:
    Replace XXXX with actual 4 digit Frame Number
    Starting at FRAME-0000 run sequentially until end FRAME-2009
    http://xmp.sethdennon.com/18-9-12-ONE EIGHTEEN-Sub-Samp-Mix-FRAME-XXXX.xmp
    Examples:
    http://xmp.sethdennon.com/18-9-12-ONE EIGHTEEN-Sub-Samp-Mix-FRAME-0000.xmp
    http://xmp.sethdennon.com/18-9-12-ONE EIGHTEEN-Sub-Samp-Mix-FRAME-1004.xmp
    http://xmp.sethdennon.com/18-9-12-ONE EIGHTEEN-Sub-Samp-Mix-FRAME-2009.xmp

  • Committing to Creating Free Cultural Works

    Committing to Creating Free Cultural Works

    Free Cultural Works

     

    How does Seth license his work and why is he changing?

    For several years now I have licensed my visual work under the Creative Commons – Non-Commercial – Share-Alike license 3.0.  I did this because I only really wanted to ensure that at some point we would build a system where attribution to derivative works that I may use, but also let others they may use it as well.  I do not create visual work for financial gain, creating, challenging and evolving my artistic expression is closely held with the evolution of my perception and shifting views of my reality. Creating visually is my life’s passion and brings a sense of completeness and wholeness within my self that I wish to share the vision from my personal perspective and life’s journey to say here is my contribution to our world, so that others may find and use my work.  I do have a very hard time assigning value by any means to my work, to me it is priceless.  The license I have been using, I am now going to alter for all future works using the Free Cultural Works framework to not only publish my work including the files used to compose the visual work, It has renewed my use in Open-Source Free Distributed software to create in and the biggest change is I will now use a Creative Commons Attribution License 3.0.

    The hardest point to make this change for me was actually removing the ‘Non-Commercial’ part of the license.  Previously I had considered an attitude if they make money, I make money.  After coming across the Free Cultural Works framework, I came to know a new perspective which in truth inspired me to change.  My ‘Non-Commercial’ use had banned my work from being used in free markets, so if a business chooses to use my visual work, this will spread my ideas to more people, and also when more people have a chance to see it takes on the ability to have more and more derivative works created.  My highest goals being a Visual Artist is introducing work in which I introduce new ways of interpreting and seeing our unfolding view of our world and it’s systems.  From the Quantum Level to the Cosmos level and all in between.  More importantly it is focusing with demonstrating how my spiritual beliefs shape and do affect all other parts of our world. And in turn be and do my little part to create a shift so our worlds governments and systems may utilize our emerging visions and technologies to create a unified world working in harmony a creating equality and new standard of living which will instill an eco-friendly approach which only uses resources at a rate and contaminates at a rate which can be naturally recovered within the natural functions of our planet.

    I would like to see the restoration of human rights equally to all humans in all countries.  My highest vision would be seeing a world where Access to Food, Clean Potable Water, Shelter, Healthcare and either technical or advanced degrees being accessible to every human being.  This foundation would require us to each challenge our perceptions of our world, to see our united humanness and know that each of our countries unique culture, spirituality and people add to an overall rich human fabric and when we each rise above our differences and come to sustainable agreements enabling each country what they need to develop and create these standard for themselves and through open and fair trade vigorously held with integrity, not for gain, but because it is the right thing to do for our world and fellow humans.

    Look at what humanity has accomplished in the last 500 years since open sharing and spreading of the freedom to be able to create change as individuals increased.  We have had one radical age after another at rates which use to take 300 years occurring in 100.  As more humans where able to contribute so did our systems and technology increase, I see tremendous value in shifting from our debt based systems, which assume a constant state of loss and really are designed to be in fear that a loss will occur may be misguided.  Our history is a reference point, imagine billions of humans living not in fears of being able to survive, but these where insured and priorities to maintain, end every available resource was aimed at giving each human access to learn and develop their own way of contributing to our worlds richness and vastness.  We would stop assigning monetary value to what is priceless in ensuring that our problems are solved equitably, with blazing speed and respect for our differences is only the point at which we honor that we are one species with one home, and where we meet in our difference we each rise above shift agree and still maintain our integrity of our commitment to my new human standard with adding these things and investing in these aspects which then give true human equality.

    So committing myself to my new license framework I am doing my part to illustrate and show what is possible when we shift, challenge, rise above, unite and create a world of sustained equality for every human.

    Thank you and I look forward to the use of my work once it’s published,

     

    P.S.

    I am also now going to machine license my work and the license will be embedded into my work files, and the files unique identifier will be verifiable through the link embedded in the file.

     

    Creating Free Cultural Works

    Preamble

    Social and technological advances make it possible for a growing part of humanity to access, create, modify, publish and distribute various kinds of works – artworks, scientific and educational materials, software, articles – in short: anything that can be represented in digital form. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.

    Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.

    Defining Free Culture Licenses

    Licenses are legal instruments through which the owner of certain legal rights may transfer these rights to third parties. Free Culture Licenses do not take any rights away — they are always optional to accept, and if accepted, they grant freedoms which copyright law alone does not provide. When accepted, they never limit or reduce existing exemptions in copyright laws.

    Essential freedoms

    In order to be recognized as “free” under this definition, a license must grant the following freedoms without limitation:

    • The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work. For kinds of works where it is relevant, this freedom should include all derived uses (“related rights”) such as performing or interpreting the work. There must be no exception regarding, for example, political or religious considerations.
    • The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict “reverse engineering”.
    • The freedom to redistribute copies: Copies may be sold, swapped or given away for free, as part of a larger work, a collection, or independently. There must be no limit on the amount of information that can be copied. There must also not be any limit on who can copy the information or on where the information can be copied.
    • The freedom to distribute derivative works: In order to give everyone the ability to improve upon a work, the license must not limit the freedom to distribute a modified version (or, for physical works, a work somehow derived from the original), regardless of the intent and purpose of such modifications. However, some restrictions may be applied to protect these essential freedoms or the attribution of authors (see below).

    Permissible restrictions

    Not all restrictions on the use or distribution of works impede essential freedoms. In particular, requirements for attribution, for symmetric collaboration (i.e., “copyleft”), and for the protection of essential freedom are considered permissible restrictions.

    Defining Free Cultural Works

    In order to be considered free, a work must be covered by a Free Culture License, or its legal status must provide the same essential freedoms enumerated above. It is not, however, a sufficient condition. Indeed, a specific work may be non-free in other ways that restrict the essential freedoms. These are the additional conditions in order for a work to be considered free:

    • Availability of source data: Where a final work has been obtained through the compilation or processing of a source file or multiple source files, all underlying source data should be available alongside the work itself under the same conditions. This can be the score of a musical composition, the models used in a 3D scene, the data of a scientific publication, the source code of a computer application, or any other such information.
    • Use of a free format: For digital files, the format in which the work is made available should not be protected by patents, unless a world-wide, unlimited and irrevocable royalty-free grant is given to make use of the patented technology. While non-free formats may sometimes be used for practical reasons, a free format copy must be available for the work to be considered free.
    • No technical restrictions: The work must be available in a form where no technical measures are used to limit the freedoms enumerated above.
    • No other restrictions or limitations: The work itself must not be covered by legal restrictions (patents, contracts, etc.) or limitations (such as privacy rights) which would impede the freedoms enumerated above. A work may make use of existing legal exemptions to copyright (in order to cite copyrighted works), though only the portions of it which are unambiguously free constitute a free work.

    In other words, whenever the user of a work cannot legally or practically exercise his or her basic freedoms, the work cannot be considered and should not be called “free.”

    To ensure the graceful functioning of this ecosystem, works of authorship should be free, and by freedom we mean:

    • the freedom to use the work and enjoy the benefits of using it
    • the freedom to study the work and to apply knowledge acquired from it
    • the freedom to make and redistribute copies, in whole or in part, of the information or expression
    • the freedom to make changes and improvements, and to distribute derivative works

    If authors do not take action, their works are covered by existing copyright laws, which severely limit what others can and cannot do. Authors can make their works free by choosing among a number of legal documents known as licenses. For an author, choosing to put their work under a free license does not mean that they lose all their rights, but it gives to anyone the freedoms listed above.

    It is important that any work that claims to be free provides, practically and without any risk, the aforementioned freedoms. This is why we hereafter give a precise definition of freedom for licenses and for works of authorship.

  • UNITY MATRIX ACTIVATION TRANSMISSION 144

    UNITY MATRIX ACTIVATION TRANSMISSION 144

    28 min 26 sec
    Fractal Animation Sequence in HD created in unity and love I am, unfolding truths through creation.

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    THIS VIDEO ANIMATION HAS NO AUDIO ON PURPOSE!

    Your participation is required for full enjoyment of this animation.

    You must put on your favorite music that get you grooving and then watch this video in full screen mode.
    (Recommended Pandora Links Below)

    If your having internet streaming issues, or you prefer downloadable files to burn to DVD or play from your hard drive, Especially extra enjoyable on a nice HD TV or Projector, links are listed below.

     

    Watch and observe the unity between the video being in balance and harmony, being only in the law of one, with your music choice and sit back and loose yourself within yourself through the journey of this matrices.

     

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    – : –

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    THE STORY OF THIS ANIMATIONS ROOTS

    One night I was walking to the corner store when I noticed a peculiar alignment in the north east sky. They formed a near perfect triangle, and I could just sense and almost see visibly the energy transmitting between these three stars. On my way back from the corner store I noticed the same formation but in the south west sky. I made a mental note to keep my eyes open about this particular type of alignment, it just stuck out that much in the sky, because by no means am I anywhere close to a astronomy expert.

    Then the next morning I got up, and had an overwhelming desire to download all of my available animation work and put it together into a long, but nice presentation like an anthologize. Couple issues, I am staying with my brother in Rawlins WY right now anticipating the birth of my niece. My creations power computer is in Henderson NV. So I asked my brother if he would mind if I took temporary custody of his laptop, download lots of neat software and put the presentation together. Of course he said yes, I can’t believe I’m trying to do HD Fractal & Video Processing on a Pentium powered laptop, eek. (But thank you VERY much, the extra time it took rendering and processing is well worth the results)

    So I downloaded my software staples from the open source community (AGAIN A BIG THANK YOU!) then I started researching the available video post processing software, this time that I could actually sometime in the future purchase. I downloaded ProShow Producer trial first, kind of expensive especially with the add on packs. I was getting nice results but then I went to render a HD video file, and Bram, insult banner across my work denoting the trial. Little ticks turn into bigger ticks once a software starts rolling down hill. I decided that for the price, the total price with add on to actually do something stylish with their software it was not worth the money.

    I did a good old google search, and saw that the Corel VideoStudio Pro X4 was definitely in my price range, and seemed to have all the features I was looking for and they offered a fully functioning trial version, yes you can actually render HD video to your hearts content without an insult banner. Very Nice Corel 🙂 I will admit that I was a bit reluctant, because I have always been an adobe person, ever since the first betas in 89, and I had never really warmed up to any Corel product, my bias not theirs. But I installed the software, and started putting something together. By this time it was getting into the late night around 11 PM.

     

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    I went outside to sit in this big chair and have a Delicious cigarette. I looked up at the stars, and in a cosmic moment watch in awe as it seemed every star in the sky was realigning into a pattern like the one represented above. And there were layers of these perfect triangles transmitting between each point into the depths of the nights sky. All of the triangles aligned above me and formed a dome like shape, like I was standing underneath the capital rotunda, but completely made of stars and energy matrices.

    Then from the center point I saw a spinning, what looked like a fractal animation coming towards me, but it was difficult to describe in words what did come at me, I could clearly see and know and infinity of patterns and new harmonic frequencies I have, before now, only postulated existed. Then in really a couple of moments later I not only new the truth of their existence, but a seemingly vast amount of unfolding knowledge, unfolded into my brain and being.

    I immediately new I needed to record this experience, even the depth of the lessons involved and truth unfolding in just the creation process alone has been amazing. I new I already had 3 different animated fractal sequences I had made back in May with my new graphics card back home, I just never did any post processing on them or published them in a completed work. I got into the online archives and downloaded the HD video files, and put them into the Corel software.

    When I added the first video sequence, I was buzzing through their FX and I saw “Kaleidoscope”, said hmm, lets try it. And Bram, just like that, my fractal animation sequences was transformed into I kid you not a almost perfect translation of the patterns from the sky. I was shocked, amazed and fully complete all in on step. I quickly mastered the “Kaleidoscope FX” and just fell within the oneness and unity in which I am and the post processing just flowed through me, from my obsession with numerology in the setting of each FX and Transition, to the appropriate order of the different segments involved in creating the completed piece.

    When I am creating, I am also a Pandora radio addict, so it was playing in the background while I was processing, sampling and configuring. When I ran my first 2 minute sample video to check quality and final output, I quickly noticed when reviewing the sample video, that it seem to match the Pandora radio music, almost perfectly. Two days later, lots of waiting for rendering and such, my first 17 minute segment in HD was ready.

    I opened it up, and of course Pandora was playing, and right on cue, in unity and oneness within which the animated video was created, it began to display in harmony and balance with the already playing music. Again, never before as an artist creating have I ever felt so complete and full of the stuff that makes me tick, I just simply had no more need for anything more, a simple complete stillness and satisfaction of fully pulling a vision I have had for years in and trough divinity and back out for all to see. And I knew in truth, the truth of what I had finally allowed myself to experience.

    UNITY GRID MATRIX ACTIVATION COMPLETING NOW <8

     

    Extra fun tip, keep your eyes peeled for the illuminated light beings within this matrix, once you find them, I will guarantee you will be amazed at how the come out in the animation.  Can someone do a detailed analysis and try and count them for me, and no counting the same one twice 🙂

     

    Additional Knowledge+

    144 Crystalline Grid Info

    The Ascension program in 2011 and 2012 are specific astrological gravitation refinements and frequencies boosts needed to complete and polish the Crystalline Grid and refine the Crystalline Transformation of the Earth as it reinforces the spanning of humanity into great and greater dimension consciousness, and that is Crystalline Consciousness. Let us then look to these events as they unfold in 2011.

    Every life is a sacred opportunity to explore and discover what dwells within.

    On earth, the expanded dimensions overlays of the Crystalline Transformation fulfills this. Awareness evolves into wisdom, and wisdom into Conscious Mastery and the return home into the Crystalline Light of Divinity. The Crystalline Transition and its anchoring in the Crystalline Vortex of the sacred. It involves so many of the transformations into the Golden Age of harmonic, and the era of the forgotten ‘Law of One’.

    A very important transition will be ushered into place in phases of the Cosmic Triggers that are taking place on each Equinox and Triple Date Portals through the 12-12-12. These are truly supreme events in the Crystalline Transition of the planet, and for humanity.The electro magnetism is being shifted upwards as the world moves into the unified Crystalline Field. The electromagnetic grid is reduced in function as the Earth transforms into Crystalline Energy through the 144-Crystalline Grid. The Crystalline Age is upon us, and indeed the Crystalline Light Body is the natural transition.
    For 12000 thousand years sacred geometry of the Star Tetrahedron Vehicle served us to ascend towards the higher dimension. This is now being changed into greater capacity. It is evolving into progressive expansive mode from the Mer-Ka-Bah to the Crystalline Mer-Ki-Va System. The Mer-Ka-Bah which has gender, the feminine and the masculine, and polarity that is negative and the positive, is incapable of truly optimally functioning above the 3rd dimension. The Divine has created a natural transition to Crystalline Mer-Ki-Va which is required to function in alignment with the 144-Crystalline Grid, at the level of the 5th dimension.

    It is the energy of the Earth in the Ascension which is in parity with the Crystalline Grid that is enabling the crystalline energy expansion of the Earth into greater dimensional reach. It is only the beginning of the energy from 5th dimension to the 12th dimension that is accessible to all of us. The zero field is the aspect of crystalline dimension, it is non polar and non gender. It expands into energy dimensions that exist within us, but have been dormant, inaccessible to humanity for the last 12000 years. Yet these crystalline dimensions are our true origins, and we exist in higher form within them.

    In higher realms there is formless geometry. The transition from Mer-Ka-Bah into Mer-Ki-Vic Tri-System is non polar in gender and magnetic terms. Geometry’s shifts, as they move into higher dimensions, different physics apply as dimensions rise above the gravitational and electric polarity of the 3rd dimension.
    All very confusing and perhaps flying above us, but indeed true. We have to understand these energies.Ultimately they are for our Ascension process.
    What exactly is the Crystalline Grid?

    The crystalline grid is an energy grid that surrounds the Earth which is regarded as a gigantic crystal of the form of a normal hollow dodecahedron and consists of 12 main nodal points of high energy, which bring together major energy lines, and of 144 secondary nodal points which bring together secondary energy lines.
    It is called crystalline, because the energy, for each focal point primary or not, comes from crystals located inside the Earth. These crystals in turn take additional energy from the large crystal at the core of the Earth which is the ”Central Sun” of the Earth.

    This network exchange gives and also receives energies with all the kingdoms living or inorganic of the planet. The main points are in Giza in Egypt, in Nepal, in Lhasa, and in Hawaii over the ancient capital of Lemuria. In the Americas in Mexico City, in Venezuela and Peru. In Europe, in mountain Olympus in Greece and in the East in the Persian Gulf, in Japan, in Australia and in the Pacific Ocean. Many of the ancient temples and monuments are built in the locations of the nodal points, where energy is concentrated.

    The distances between them are generally on the three angles of isosceles triangles. These points are also time-space portals. For those who happens to live in these places the meditation will be much more effective, because of the high energy there. A corresponding crystalline grid of focal points exists also on the inner Earth surface, i.e. the Hollow Earth, and on these points have been built the crystal cities of the Hollow Earth.

    ARTICLE SOURCE
    http://www.crystallotus.com

    KNOWLEDGE BASES ON UNITY, LAW of ONE, LOVE & LIGHT

    http://dimensionalbliss.com
    http://eternalgodliness.punt.nl

     

    Galactic Federation Of Light Ashtar Command – September 02 2011

    SOFTWARE USED

    Windows 7
    Apophysis 7x.14
    Flam4
    VirtualDub 1.9.11
    Corel VideoStudio Pro X4 (TRIAL VERSION)

     

    ANIMATION VIDEOS AVAILABLE FOR LICENCENSED USE DOWNLOAD AT

    Right-Click (or Option Click) and Save Link As…

    1920×1080 HD MP4 VIDEO FILE (2.84 GB) – HIGHEST QUALITY, for 1080 HD Displays

    720×480 MPG VIDEO FILE (585 MB) – Older computers and Mobile

    RECOMENDED PANDORA RADIO STATIONS (to try out while watching this animated video)

    ..-=(+):SD:(+)=-..   –  http://www.pandora.com/#!/stations/play/544660565465193507
    Sandra Collins Radio  –   http://www.pandora.com/#!/stations/play/518821548291218467
    Krafty Kuts Radiio  –   http://www.pandora.com/#!/stations/play/369233768721374243
    Shpongle Radio  –  http://www.pandora.com/#!/stations/play/123035789364255779

     

     

     

    Creative Commons License

    UNITY MATRIX ACTIVATION TRANSMISSION 144

    by Seth Dennon is licensed under a

    Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.

    Work at https://sethdennon.com/09/2011/fractal-animation/umat-144/ ‎.

     

  • I need your help Art Fans!

    I need your help Art Fans!

    Artist Wanted 2010 | Seth Dennon
    Artist Wanted 2010 | Seth Dennon | Website

    Hello Art Fans!


    I have just entered the Artist Wanted 2010 competition. One of the categories is for viewers choice award. This is the profile with the most views and highest votes. Please spread the word to all your friends via FaceBook, e-mail and twitter to go and rate my profile.

    I GREATLY appreciate your help, I have committed myself this year to fully developing myself from a fringe/hobby artist to a professional one. Being awarded recognition for my work would be outstanding and the money I would use to purchase new equipment to create even greater works of art.

    HERE’S THE LINK! http://artistswanted.org/sethd8

    Thank you all in advance for your support and help in achieving this years goals.

    Loving You!

    ~Seth Dennon