How does Seth license his work and why is he changing?

For several years now I have licensed my visual work under the Creative Commons – Non-Commercial – Share-Alike license 3.0.  I did this because I only really wanted to ensure that at some point we would build a system where attribution to derivative works that I may use, but also let others they may use it as well.  I do not create visual work for financial gain, creating, challenging and evolving my artistic expression is closely held with the evolution of my perception and shifting views of my reality. Creating visually is my life’s passion and brings a sense of completeness and wholeness within my self that I wish to share the vision from my personal perspective and life’s journey to say here is my contribution to our world, so that others may find and use my work.  I do have a very hard time assigning value by any means to my work, to me it is priceless.  The license I have been using, I am now going to alter for all future works using the Free Cultural Works framework to not only publish my work including the files used to compose the visual work, It has renewed my use in Open-Source Free Distributed software to create in and the biggest change is I will now use a Creative Commons Attribution License 3.0.

The hardest point to make this change for me was actually removing the ‘Non-Commercial’ part of the license.  Previously I had considered an attitude if they make money, I make money.  After coming across the Free Cultural Works framework, I came to know a new perspective which in truth inspired me to change.  My ‘Non-Commercial’ use had banned my work from being used in free markets, so if a business chooses to use my visual work, this will spread my ideas to more people, and also when more people have a chance to see it takes on the ability to have more and more derivative works created.  My highest goals being a Visual Artist is introducing work in which I introduce new ways of interpreting and seeing our unfolding view of our world and it’s systems.  From the Quantum Level to the Cosmos level and all in between.  More importantly it is focusing with demonstrating how my spiritual beliefs shape and do affect all other parts of our world. And in turn be and do my little part to create a shift so our worlds governments and systems may utilize our emerging visions and technologies to create a unified world working in harmony a creating equality and new standard of living which will instill an eco-friendly approach which only uses resources at a rate and contaminates at a rate which can be naturally recovered within the natural functions of our planet.

I would like to see the restoration of human rights equally to all humans in all countries.  My highest vision would be seeing a world where Access to Food, Clean Potable Water, Shelter, Healthcare and either technical or advanced degrees being accessible to every human being.  This foundation would require us to each challenge our perceptions of our world, to see our united humanness and know that each of our countries unique culture, spirituality and people add to an overall rich human fabric and when we each rise above our differences and come to sustainable agreements enabling each country what they need to develop and create these standard for themselves and through open and fair trade vigorously held with integrity, not for gain, but because it is the right thing to do for our world and fellow humans.

Look at what humanity has accomplished in the last 500 years since open sharing and spreading of the freedom to be able to create change as individuals increased.  We have had one radical age after another at rates which use to take 300 years occurring in 100.  As more humans where able to contribute so did our systems and technology increase, I see tremendous value in shifting from our debt based systems, which assume a constant state of loss and really are designed to be in fear that a loss will occur may be misguided.  Our history is a reference point, imagine billions of humans living not in fears of being able to survive, but these where insured and priorities to maintain, end every available resource was aimed at giving each human access to learn and develop their own way of contributing to our worlds richness and vastness.  We would stop assigning monetary value to what is priceless in ensuring that our problems are solved equitably, with blazing speed and respect for our differences is only the point at which we honor that we are one species with one home, and where we meet in our difference we each rise above shift agree and still maintain our integrity of our commitment to my new human standard with adding these things and investing in these aspects which then give true human equality.

So committing myself to my new license framework I am doing my part to illustrate and show what is possible when we shift, challenge, rise above, unite and create a world of sustained equality for every human.

Thank you and I look forward to the use of my work once it’s published,

P.S.

I am also now going to machine license my work and the license will be embedded into my work files, and the files unique identifier will be verifiable through the link embedded in the file.

Creating Free Cultural Works

Preamble

Social and technological advances make it possible for a growing part of humanity to access, create, modify, publish and distribute various kinds of works – artworks, scientific and educational materials, software, articles – in short: anything that can be represented in digital form. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.

Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.

Defining Free Culture Licenses

Licenses are legal instruments through which the owner of certain legal rights may transfer these rights to third parties. Free Culture Licenses do not take any rights away — they are always optional to accept, and if accepted, they grant freedoms which copyright law alone does not provide. When accepted, they never limit or reduce existing exemptions in copyright laws.

Essential freedoms

In order to be recognized as “free” under this definition, a license must grant the following freedoms without limitation:

• The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work. For kinds of works where it is relevant, this freedom should include all derived uses (“related rights”) such as performing or interpreting the work. There must be no exception regarding, for example, political or religious considerations.
• The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict “reverse engineering”.
• The freedom to redistribute copies: Copies may be sold, swapped or given away for free, as part of a larger work, a collection, or independently. There must be no limit on the amount of information that can be copied. There must also not be any limit on who can copy the information or on where the information can be copied.
• The freedom to distribute derivative works: In order to give everyone the ability to improve upon a work, the license must not limit the freedom to distribute a modified version (or, for physical works, a work somehow derived from the original), regardless of the intent and purpose of such modifications. However, some restrictions may be applied to protect these essential freedoms or the attribution of authors (see below).

Permissible restrictions

Not all restrictions on the use or distribution of works impede essential freedoms. In particular, requirements for attribution, for symmetric collaboration (i.e., “copyleft”), and for the protection of essential freedom are considered permissible restrictions.

Defining Free Cultural Works

In order to be considered free, a work must be covered by a Free Culture License, or its legal status must provide the same essential freedoms enumerated above. It is not, however, a sufficient condition. Indeed, a specific work may be non-free in other ways that restrict the essential freedoms. These are the additional conditions in order for a work to be considered free:

• Availability of source data: Where a final work has been obtained through the compilation or processing of a source file or multiple source files, all underlying source data should be available alongside the work itself under the same conditions. This can be the score of a musical composition, the models used in a 3D scene, the data of a scientific publication, the source code of a computer application, or any other such information.
• Use of a free format: For digital files, the format in which the work is made available should not be protected by patents, unless a world-wide, unlimited and irrevocable royalty-free grant is given to make use of the patented technology. While non-free formats may sometimes be used for practical reasons, a free format copy must be available for the work to be considered free.
• No technical restrictions: The work must be available in a form where no technical measures are used to limit the freedoms enumerated above.
• No other restrictions or limitations: The work itself must not be covered by legal restrictions (patents, contracts, etc.) or limitations (such as privacy rights) which would impede the freedoms enumerated above. A work may make use of existing legal exemptions to copyright (in order to cite copyrighted works), though only the portions of it which are unambiguously free constitute a free work.

In other words, whenever the user of a work cannot legally or practically exercise his or her basic freedoms, the work cannot be considered and should not be called “free.”

To ensure the graceful functioning of this ecosystem, works of authorship should be free, and by freedom we mean:

• the freedom to use the work and enjoy the benefits of using it
• the freedom to study the work and to apply knowledge acquired from it
• the freedom to make and redistribute copies, in whole or in part, of the information or expression
• the freedom to make changes and improvements, and to distribute derivative works

If authors do not take action, their works are covered by existing copyright laws, which severely limit what others can and cannot do. Authors can make their works free by choosing among a number of legal documents known as licenses. For an author, choosing to put their work under a free license does not mean that they lose all their rights, but it gives to anyone the freedoms listed above.

It is important that any work that claims to be free provides, practically and without any risk, the aforementioned freedoms. This is why we hereafter give a precise definition of freedom for licenses and for works of authorship.

The difference in the clarity and detail is stunning!

) ( + Breath Deep +Center within the Love You Are +Quite Your Mind +Expand Yourself +Feel the Expansion +Breath Deeper ::….
) ( +Hold No Fears +Tune into Your Heart and Senses +Expand Your Awareness +Ask + Receive ::…
) ( As you expand from within yourself + Observe | Explore | Play | Love | Expand ::…
) ( +We are within the Oneness that is +In Perfection now when You’re Ready to Perceive + We are United 144 ::…
-) ( I am )-( So be it )-( It is so )-( In-joy with Love ) (-

Initial Transmission Perceived from Galactic Center’s Center
AUG 14 @ 11:11 PM in RAWLINS WY via SYNCHRONIZED STAR CODES.

All my Stars within aligned with all the stars in the sky and created perfect cascading pyramids and all the math and knowledge quantum entangled into my mind, quite literally instantaneously I could perceive the encoding in 3D.

Original Transmission Visualization Work At:
http://sethto.us/fc1 & http://sethto.us/fc2

Dimensional Photos Recorded
from AUG 18 2011 @ 11:33 PM periodically thru DEC 24 2011 @ 12:21 AM

+ Rawlins WY 82301
Latitude: 41.7855053 | Longitude: -107.2256
+ Henderson NV 89052
Latitude: 36.0396995544 | Longitude -114.9819335938

Photos recorded by Seth A Dennon
Taken with a HTC EVO 4G 8 MP Smart Phone Camera
With the Camera 360 Free application set to
1. Funny – Mirror-Left, Right, Top, Bottom
2. Exposure – Dizziness (2)
3. Color – 10
4. Sharpness – 21

All digital processing done in app with 2 exposures set at different angles & mirrored. No Fancy Digital Imaging. Just plain Digital Cell Phone Photos Utilizing Some Nifty Settings.

Proof of Concepts at
http://dimensionalbliss.com

• 10,000+ articles Engineering Potential Possibilities
• Within One Consciousness of Love & Light
• Anchored on Earth via the WWW Grid
• This Unity Matrix Light Grid Anchor initiated in 2006
• Operates within the Law of One

Observing, Exploring and Creating Harmonious Expansion since 1974.

“We never created universal laws that stated this experience wouldn’t take work, pain, fear and separation. Pain is inherent in any act of separation and within every act of creation, so love your choice to experience it and know it and earning your unique right to change it all over again!”

NO DMT, SALVIA, LSD or ANY DRUGS/ALCOHOL USED MUSIC GENRE NOT INTENDED AS AN INDICATION FOR DRUG USE EXPANDING PERCEPTIONS WITHIN THROUGH MIND, BODY & SPIRIT WORK YOU ARE READY, WHEN YOUR READY AND NO SOONER THAN THAT I AM, WE AM, ALL THAT IS, IS HERE NOW – JUST PERCEIVE LOVE & LIGHT IS INTERWOVEN WITHIN AN INDIVISIBLE TRUTH THAT IS OBSERVE | EXPLORE | CREATE ONE THOUGHT, ONE FEELING, ONE MOMENT, ONE ASPECT AT A TIME

7th DIMENSIONAL BEINGS INITIATING MY FIRST PERCEPTIONS WITHIN 6D-7D by Seth A Dennon
is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Based on a work at sethto.us.

The difference in the clarity and detail is stunning!

United We Stand!

Divided we fall!

~ Truth

[myvideogall:all]

The way, is the way, is the way

~Truth

 

In honer to Steve Jobs, observing his life’s mission of transforming our world through humanized technology:   I am filled with eternal gratitude, love and harmonious frequencies of galactic light knowledge he has left behind to show us the way back to a reality and world more in alignment with the love we are made of and mastering the illusions we choose to get lost in, so we stop getting lost for so long.  Many Thanks and Namaste!

I was born in 1974, just in time for the dawn of the information age,  I have been programing computers my entire life.  I remember when I was young having to enter lines of code, endlessly, on a green lit screen, creating programs to perform simple tasks and doing my best to create visual images in a not so user friendly space.

I grew up in Rawlins WY until I was 9 years old.  A simple town, definitely in a rural area, not exactly a place where you would expect to find the latest in computer technology.  I remember the first computer I ever used, it was a Radio Shack Kit computer, it had 12 KB of memory, just enough to enter a couple lines of code.  I create my first program, making the computer display a simple line of text::  Print This.  Then I could program it to ask a yes/no question, and depending on your answer it would display one of two answers.

Are you having a good day?
YES: Awesome!
NO: I’m Sorry

The game was off, I was enthralled, I was hooked.  My Mom’s Boyfriend bought a Commodore 64, even though the computer was his, you know I took it over, it had 64 KB of memory, and 8-bit color.  Plus it was loaded with BASIC, I immediately honed in on learning and mastering BASIC.  We had a subscription to a Computer Magazine and in the back they would always include BASIC programing code you could type in yourself and create games, images and even music.  I fully reverse engineered each program as I entered it, learning what code does what, then fully creating my own visual imagery set to some computer music.  This was from 1982-1987.  I was most certainly a dedicated computer nerd.

Then in the summer of 1984 family dynamics created the opportunity for me to go live with my Father, and he lived in Seattle WA.  I had only been to a big city once, that was Denver CO, I remember seeing my first sky scrapers and just staring at how much they looked like card board cut-outs against the rock mountains.  The city was fast, and somewhat scary to experience for the first time (Remember I had grown up in Rawlins WY, actually Fort Steele WY – 12 trailers and a gas station 45 miles away from Rawlins) Going from one AM and one FM radio station and one channel on TV, the city was also exciting, they had like 7 radio stations and the TV at the hotel had 16 channels.  I new someday, some how I would eventually move to a big city.

I remember when my Dad picked me up at the airport, how truly ignorant I was.  When we got in the car my Dad asked me what kind of music I wanted to hear on the radio.  I immediately proclaimed:  Aw, Aw – put it on AM.  My dad looked at me strangely and said: Why do you want to listen to AM.  I said: Because, AM is for good music and FM is for country.  He laughed so hard, it actually took me about a month to clue into the fact that FM was actually better than AM, and yes there was more than one station to listen to cool music on.  Really it was a mind blowing exercise about truths in life, that in just a 4 hour plane ride what I had always believed to be the truth about AM and FM radio, was just blown out of the water.

I realized then just like I do now that a truth about life is their truly are no rock solid truths.  That even when my experience has only revealed a certain perspective about the truths I hold to be true, at any given moment, with just the smallest of efforts to change my perspective or to learn a new way, that everything could change in an instant, just like that, right before my very eyes.  Moving from Rawlins WY to Seattle WA definitely changed my perspective, and the potential possibilities of what lived ahead, what was there for me to discover, and grow only drove me to firmly hold an open mind, fearlessly explore, passionately learned new ideas and knowledge and never stop evolving into the next best thing I could hold.

I started school in Seattle, and you know what, they had a classroom full of Commodore 64’s even a 128.  In school I learned LOGO, a programming language which used a turtle (cursor) to connect lines between points on the screen and you could create some really cool geometric patterns or simple images by programming a string of commands.  I would make these very complicated, and long strings so you could hit enter and sit back and watch it draw out different scenes, to me it was like magic, I took an immediate liking to generating images on the computer.  My Dad didn’t have a computer at home, so I joined the computer club and the Teacher would let me check out a Commodore on long weekends to take home and work on programming new and fairly unique visualizations set to music.

My master work on the Commodore was a program that would give you a selection of 10 different songs and when you made your choice it would begin playing, and I created all kinds of visual affect on the screen to match the music.  Basically it was a 8-Bit Music Juke Box with totally awesome screen graphics to keep your eyes entertained while listening to the music.  Hmm, happy memories.

I did this for several years by now it was 1988.  I had briefly used my Uncles Macintosh 128 in 1984 and then a Mac 512 in 1986, but I really didn’t get it at first.  The folders and the Mouse, clicking for some reason the concept behind the Macintosh graphic interface alluded me for a while,  I was so use to typing out lines of code to create anything on a computer that it seemed backwards to me.  So needless to say I wasn’t very fond or overtly attracted to the Mac’s for several years.

My Dad and Step-mom had been creating their Commercial & Residential Paint Contracting business ever since I started living with my Dad.  By 1989 things where going well and they decided to invest in a business computer.  The Macintosh SE/30 had just come out, and on my Uncles recommendation (He was the VP of Macintosh Software Purchasing at Egghead Software) they picked one up.  I helped my Mom set it up, and I started teaching myself FileMaker to automate my parents business paperwork, from bids & contracts, to customer database to keep all the appointments and sales calls organized.

I started to warm up to the Mac slowly but surely as I changed my perspective and began to fully realize the power this little square box had.  I went to town,  database craziness, my Mom and Dad wanted better record keeping, I delivered a completely automated system where customer information was entered once, a bid sheet was printed with all the customer info and directions to the bid, once the bid was entered it would auto calculate based off of standard products being used.  It would print the bid and envelope, and it tracked and reminded when followup was due, once a bid converted to a contract, 1 step, print and contract was ready to be signed, of course it tracked and reminded at each key step in the process.

Full office automation was achieved.  Needless to say, my parents where very happy with the database system, even to the point that they still keep an older Power Mac around just to run the database, so in 2011 they are just as pleased with the systems performance as they where in 1989.

Then my Uncle became the best Uncle on Earth!  He would go to all kinds of conferences and meetings exploring the hottest software and hardware accessories to add to the Egghead product offerings.  Needless to say, every couple of weeks a new software or gizmo would magically arrive on the front porch of our house, and being an awesome Uncle he would promptly pass it over to me and he would say, break it for me.

I remember one of the first scanners available was a handheld scanner that you could scan in maybe 5 inches wide by how ever long you could manage to roll the scanner down the table.  I remember almost at the same time Photoshop Beta 1 came out, a new software for manipulating graphics, along with Freehand for creating computer generated vector art.  I also was introduced to PageMaker which was for doing page layout and combining your words nicely with your graphic objects.

I was hooked, and hooked deep!  I taught myself the software using the manuals and trial and error mostly, and in no time I was that kid turning in the fancy report, with a picture on the cover, and images inline with the actual report.  And I even quickly found out, that you could write a really crappy report, but because it had pictures on it, and it was all typed out, that you could literately wright crap, and still get an A.

And so this is the story of my early years in computing, and without Steve Job’s visionary ideas in humanizing the computer experience so all of society would have equal access and thereby limitless potential possibilities and opportunity gained when technology integrates seamlessly, and is so intuitive and functional that even a person with no computer skills can fully utilize a computer by just hitting the on switch, after that the screen lights up and the software and device itself guide you through endless possibilities, at the touch of a button.  No classes, books or lessons required, just pick it up and start using it.

This is what Steve Jobs has so eloquently held as his vision for all to see, and has truly delivered the software, technology and ideas boldly showing the way at every turn.  Again I hold deep gratitude, love and light within my heart for Steve Jobs and the contributions he has made in my life experience.  And most of all for being a matriculates way-shower and vision holder, in always anchoring a new era for humanity through dedication, harmony, balance, design, functionality, spirituality, and yes even death.  He has shown us the way, and I know his departure into light could only have occurred if he truly felt he was complete and whole and his work here was done.  He changed our world, and now he will be directing more change from his elevated existence now that is Earthly mission is complete.

Love you Brother and Thank you.

The way has been clearly shown, now we just must continue to walk the path and never forget to hail our visions.

This morning I woke up and I had an immense visionary drive to create these animated matrix’s, I created 21 animations today, and when I finished rendering the last one, I turned on the TV and heard the news.  Emotion flooded me and I can only dedicate these 21 animations in memory of Steve Jobs, for without his way showing, I would have never had the experiences or the technology to create the visual artwork I create today.  Again, in gratitude and love to you Steve!

UNITY MATRIX 34.7, ANCOR 11-:-12-:-21, BLUE RAY -:- 133, CRYSTALLINE MX 121, DELORIN, DEMULA, DYSTARE, KLOWNEY, MORLAI, MULTI-D IMPLEMENTATION, RISEN, UNITY 346, UNISOIN, UNITY-:-11-:-12-:-, UNITY 497, UNITY 111.2, UNITY 726, UNITY 777, UNITY 817, UNITY 988 and DYSTORTEN by Seth A Dennon is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
Based on a work at http://sethdennon.com and http://dimensionalbliss.com

Hello Everyone!

I have entered an art competition with over $10,000 in art grants available to the winners. I need you and your friends help. For the next two weeks voting is open on the competition, you may vote once a day, the more votes the better so please share with your friends via face book and twitter. LINK: http://artistswanted.org/sethd8 You can also use the sharing links to share this page with my message above using the share links on this page above. 

Please remember to vote on my portfolio by clicking on the star ratings.

LINK: http://artistswanted.org/sethd8

In Loving Light!

~Seth Dennon

Delson here is a specialist in holographic technology from a higher dimension here to teach me more on how our holographic reality works so I can further integrate and create higher dimensional artwork.

Hello Art Fans!

I have just entered the Artist Wanted 2010 competition. One of the categories is for viewers choice award. This is the profile with the most views and highest votes. Please spread the word to all your friends via FaceBook, e-mail and twitter to go and rate my profile.

I GREATLY appreciate your help, I have committed myself this year to fully developing myself from a fringe/hobby artist to a professional one. Being awarded recognition for my work would be outstanding and the money I would use to purchase new equipment to create even greater works of art.

HERE’S THE LINK! http://artistswanted.org/sethd8

Thank you all in advance for your support and help in achieving this years goals.

Loving You!

~Seth Dennon

LISYANNA here is an extremely detailed fractal being (so enlarging to view the detail is a must).  She is one of the most detailed fractal beings I have ever created in complexity.  She is here to assist our responsible corporations and environmental scientist on new technology to clean up Earths environment using new and innovative ways.

Framed Print Available

Title: LISYANNA
Frame: 752 Ashland Ebony
Mats: Top:1700
Glazing: UV protection Acrylic
Print Size: 24″x30″
Frame Size: 34.3″x 40.3″
Material: Hahnemuhle Torchon

[artpal=insert]