Tag: order

  • 333 222 111

    333 222 111

    A kaleidoscopic fractal motion graphic translating my experience within my dream work.

     

    For Best Viewing Set to 1080p HD using the configure icon, and go full screen.

     

    This work began 17 April 2015 at 5:51 AM and was completed on 30 April 2015 at 4:11 AM.

    There are a total set of 1958 original frames, repeated 6 times with three (sets of 1958) in reverse order, totaling 11,748 frames processed at 25 fps for a total time of 7 minutes and 48 seconds.


    Inspired by

         DL Zeta:

    Dreams and Eclipse Portals Transport us to Future Life Tracks
    We are approaching a period of accelerated and powerful energies with the upcoming fall/spring equinox, an eclipse series in October, and Mercury retrograde from October 4 to 26. These energies will bring windows of opportunity as well as challenges designed to help us re-calibrate our spiritual connection and restructure our approach to our purpose. The decisions we make during this period will cast a wide sphere of influence well into the coming year.
    Revisit your intentions to make the Most of Magnified Energies

    So why are we talking now about energies that are a few weeks out? One reason is that many lightworkers are sensitive to energies and begin to experience the powerful shifts an eclipse brings a month or more prior to the actual event. Another reason is in order to make the most of the opportunities this powerful passage will bring we need to revisit our intentions and visions prior to this time of magnified energies.

    We can begin now preparing for this period through dreamwork, journaling, meditation, dietary and other changes. By focusing our intentions, we ride the waves of these powerful energies into future life tracks where we experience more of our divine nature.

    The September 22 Equinox seeks to balance Mind, Body and Spirit

    The upcoming equinox will boost our preparations for October’s transformative energies. In the northern hemisphere, it’s time to balance mind, body and spirit and undertake cleaning and clearing in preparation for winter. Clearing clutter and bringing order to our environment is important to finding balance. This is a good time to begin new dietary regimens and health practices that build our immune system. This balancing and clearing will support our journey into October’s Mercury retrograde and eclipse series.

    Visiting Future Life Tracks in Dream States

    The next few weeks are a time to examine if some of our intentions are outdated and no longer valid. This is a time to open to new ideas and visions and begin energizing these as the energies amplify and accelerate. In coming weeks, nightly dreams will become an excellent source of new visions as our subconscious mind is drawn to travel to future life tracks in order to examine the field of potentials crystallizing in our future. Practice writing down dreams and you will begin to remember more of your nightly travels.

    The period just prior to an eclipse series is a very rich time for dream journeys. You can set your intentions before going to sleep to travel to potential new life tracks. Just before bedtime is also a good time to review the questions you are working with and ask for guidance to come through your dream travels. This is a time of heightened energies when lucid dreams are more likely. To cultivate lucid dreams, practice lucidity in your waking life. Be mindful where you focus your attention prior to falling asleep as this focus helps direct the flow of your dream travels.

    Journaling, Automatic Writing and Meditation

    To make the most of upcoming energies, its helpful to begin an intensive introspective period in the weeks prior. You may find it helpful to journal if you don’t already. Journaling helps you gain perspective and insight into your “waking dream.” Daily journaling also helps you bring awareness to stuck emotions so you can clear them. When you journal, give yourself the freedom to write whatever flows into your mind. Journaling is a good housecleaning tool to assist you in processing emotions and bringing awareness to the landscape of your mental and emotional bodies.

    Once you become comfortable with daily journaling, you can begin to incorporate automatic writing. One way to begin automatic writing is to write out questions on one side of your notebook and allow answers to flow onto the opposite page. When you begin writing things you don’t consciously know, you have tapped into the deep well of your subconscious.

    Meditation is another excellent tool for getting in touch with the flow of your internal world. Meditation can bring awareness of potentials crystallizing in future life tracks. It also helps with internal housecleaning. Meditation raises your vibration and over time, can help break loose stuck emotions, allowing them to bubble to the surface of your consciousness to be released. If you don’t currently have a meditation practice, begin now. Sit for at least 15 to 30 minutes every day, releasing all thoughts and relaxing and stilling your mind. Allow whatever happens to be perfect for you within the moment.

    Our Astrology Chart Depicts the Personal Impact of an Eclipse

    We will all feel the effects of the upcoming Mercury retrograde and eclipse energies. The exact way in which you experience them can be understood by examining your astrology chart. The type of impact and its intensity and duration depends on where an eclipse falls in a person’s astrology chart. If an eclipse falls within 3” of a planet or an important point in your chart by conjunction or opposition, it is of special significance to you. The nature of the planet impacted by the eclipse offers clues to the experiences that lie ahead. Each house in astrology points toward an area of your life. Knowing which house in which an eclipse falls in your chart will help you get your affairs in order.

    Mercury stations retrograde from October 4-26, journeying from 2 degrees Scorpio to 16 degrees Libra. This is a potent Mercury retrograde because it activates the October 23 Solar Eclipse point of 0 degrees Scorpio, intermingling the energies of Mercury retrograde with the solar eclipse. You can examine where 0 degrees Scorpio lands in your chart (and points within orb) to see how the October 23 eclipse will impact you. There will also be a total lunar eclipse October 8 at 15 degrees Aries with the sun opposing at 15 degrees Libra.

    On September 26, Jupiter begins a trine to Uranus that lasts several weeks. Jupiter in trine to Uranus opens a portal to good fortune, positive energies, and new and interesting people. This is a great time to bring forth new visions and new creations. Artists, writers, inventors and visionaries of all kinds can ride waves of success during this period. This Jupiter/Uranus trine leads us into a grand fire trine (with Mars, Jupiter and Uranus) conjunct the October 8 Lunar Eclipse. We will talk more about these energies as we draw closer so stay tuned.

    Creating a Unified Field of Intention

    Once you lay the groundwork and choose your intentions for this upcoming period, you can work with all aspects of your consciousness to bring unity and agreement to these intentions. If some aspects are not on board with these intentions you will not have the unity of vision that brings the laser focus and concentration needed to make the most of these energies. To harmonize and unify all facets of your consciousness, visualize an inner circle of love during meditation. Bring inside this circle all your aspects – younger selves from this lifetime as well as past and future selves that exist in timeframes parallel to your present moment. Inner peace and harmony with all “selves” allows you to create a unified field of intention to help you navigate the upcoming energies.

     

    ©2010-2014 DL Zeta, Celestial Vision, All Rights Reserved www.celestialvision.org.

    These messages are intended to be shared. You are welcome to share and distribute this message with others as you feel guided to do so.

    Please be sure to include the author & source website link.

     


    Individual Frame Explorer (1958 Total Frames to Explore)

     

    Enlarge the player above to full screen viewer
    Browse the individual frames by scrolling the thumbnails across the bottom (1958 Frames total)

     

    ‘333 222 111’ Technicals

    • Attribution Links
    • Utilized Open Source Software, Free of Financial Barriers
    • Settings & Configuration files
    • Parameter Files
    • Additional support files

    Audio Attribution:

    License: CC BY 4.0
    Artist: Christopher Hawes
    Track: BETWEEN WORLDS
    Website: http://smilingcynic.com

     

    Open Source Software Available without financial barriers:

    Apophysis 7X.14b – http://apophysis.xyrus-worx.org/
    flam3http://flam3.com/
    Kaleider 4.8.1 — http://www.whizical.com/index.htm/
    GIMP 2.8http://www.gimp.org/
    VirtualDub APNG MOD 1.9.11http://www.virtualdub.org/
    VirtualDub Filter Pack 2011http://codecpack.co/download/VirtualDub-Filter-Pack.html
    AVS Video Converter 8.2http://www.avs4you.com/AVS-Video-Converter.aspx

     

    Source Files:

    Available upon request.  Please email seth (at) sethdennon.com.
    Visual Work Concepts translated from the article collection on http://dimensionalbliss.com.

     

    Creative Commons License
    333 222 111 by Seth Dennon is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise marked.
    Permissions beyond the scope of this license may be available at https://sethdennon.com/free-cultural-works/.

    This work adheres to Free Cultural Works guidelines.

  • Committing to Creating Free Cultural Works

    Committing to Creating Free Cultural Works

    Free Cultural Works

     

    How does Seth license his work and why is he changing?

    For several years now I have licensed my visual work under the Creative Commons – Non-Commercial – Share-Alike license 3.0.  I did this because I only really wanted to ensure that at some point we would build a system where attribution to derivative works that I may use, but also let others they may use it as well.  I do not create visual work for financial gain, creating, challenging and evolving my artistic expression is closely held with the evolution of my perception and shifting views of my reality. Creating visually is my life’s passion and brings a sense of completeness and wholeness within my self that I wish to share the vision from my personal perspective and life’s journey to say here is my contribution to our world, so that others may find and use my work.  I do have a very hard time assigning value by any means to my work, to me it is priceless.  The license I have been using, I am now going to alter for all future works using the Free Cultural Works framework to not only publish my work including the files used to compose the visual work, It has renewed my use in Open-Source Free Distributed software to create in and the biggest change is I will now use a Creative Commons Attribution License 3.0.

    The hardest point to make this change for me was actually removing the ‘Non-Commercial’ part of the license.  Previously I had considered an attitude if they make money, I make money.  After coming across the Free Cultural Works framework, I came to know a new perspective which in truth inspired me to change.  My ‘Non-Commercial’ use had banned my work from being used in free markets, so if a business chooses to use my visual work, this will spread my ideas to more people, and also when more people have a chance to see it takes on the ability to have more and more derivative works created.  My highest goals being a Visual Artist is introducing work in which I introduce new ways of interpreting and seeing our unfolding view of our world and it’s systems.  From the Quantum Level to the Cosmos level and all in between.  More importantly it is focusing with demonstrating how my spiritual beliefs shape and do affect all other parts of our world. And in turn be and do my little part to create a shift so our worlds governments and systems may utilize our emerging visions and technologies to create a unified world working in harmony a creating equality and new standard of living which will instill an eco-friendly approach which only uses resources at a rate and contaminates at a rate which can be naturally recovered within the natural functions of our planet.

    I would like to see the restoration of human rights equally to all humans in all countries.  My highest vision would be seeing a world where Access to Food, Clean Potable Water, Shelter, Healthcare and either technical or advanced degrees being accessible to every human being.  This foundation would require us to each challenge our perceptions of our world, to see our united humanness and know that each of our countries unique culture, spirituality and people add to an overall rich human fabric and when we each rise above our differences and come to sustainable agreements enabling each country what they need to develop and create these standard for themselves and through open and fair trade vigorously held with integrity, not for gain, but because it is the right thing to do for our world and fellow humans.

    Look at what humanity has accomplished in the last 500 years since open sharing and spreading of the freedom to be able to create change as individuals increased.  We have had one radical age after another at rates which use to take 300 years occurring in 100.  As more humans where able to contribute so did our systems and technology increase, I see tremendous value in shifting from our debt based systems, which assume a constant state of loss and really are designed to be in fear that a loss will occur may be misguided.  Our history is a reference point, imagine billions of humans living not in fears of being able to survive, but these where insured and priorities to maintain, end every available resource was aimed at giving each human access to learn and develop their own way of contributing to our worlds richness and vastness.  We would stop assigning monetary value to what is priceless in ensuring that our problems are solved equitably, with blazing speed and respect for our differences is only the point at which we honor that we are one species with one home, and where we meet in our difference we each rise above shift agree and still maintain our integrity of our commitment to my new human standard with adding these things and investing in these aspects which then give true human equality.

    So committing myself to my new license framework I am doing my part to illustrate and show what is possible when we shift, challenge, rise above, unite and create a world of sustained equality for every human.

    Thank you and I look forward to the use of my work once it’s published,

     

    P.S.

    I am also now going to machine license my work and the license will be embedded into my work files, and the files unique identifier will be verifiable through the link embedded in the file.

     

    Creating Free Cultural Works

    Preamble

    Social and technological advances make it possible for a growing part of humanity to access, create, modify, publish and distribute various kinds of works – artworks, scientific and educational materials, software, articles – in short: anything that can be represented in digital form. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.

    Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.

    Defining Free Culture Licenses

    Licenses are legal instruments through which the owner of certain legal rights may transfer these rights to third parties. Free Culture Licenses do not take any rights away — they are always optional to accept, and if accepted, they grant freedoms which copyright law alone does not provide. When accepted, they never limit or reduce existing exemptions in copyright laws.

    Essential freedoms

    In order to be recognized as “free” under this definition, a license must grant the following freedoms without limitation:

    • The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work. For kinds of works where it is relevant, this freedom should include all derived uses (“related rights”) such as performing or interpreting the work. There must be no exception regarding, for example, political or religious considerations.
    • The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict “reverse engineering”.
    • The freedom to redistribute copies: Copies may be sold, swapped or given away for free, as part of a larger work, a collection, or independently. There must be no limit on the amount of information that can be copied. There must also not be any limit on who can copy the information or on where the information can be copied.
    • The freedom to distribute derivative works: In order to give everyone the ability to improve upon a work, the license must not limit the freedom to distribute a modified version (or, for physical works, a work somehow derived from the original), regardless of the intent and purpose of such modifications. However, some restrictions may be applied to protect these essential freedoms or the attribution of authors (see below).

    Permissible restrictions

    Not all restrictions on the use or distribution of works impede essential freedoms. In particular, requirements for attribution, for symmetric collaboration (i.e., “copyleft”), and for the protection of essential freedom are considered permissible restrictions.

    Defining Free Cultural Works

    In order to be considered free, a work must be covered by a Free Culture License, or its legal status must provide the same essential freedoms enumerated above. It is not, however, a sufficient condition. Indeed, a specific work may be non-free in other ways that restrict the essential freedoms. These are the additional conditions in order for a work to be considered free:

    • Availability of source data: Where a final work has been obtained through the compilation or processing of a source file or multiple source files, all underlying source data should be available alongside the work itself under the same conditions. This can be the score of a musical composition, the models used in a 3D scene, the data of a scientific publication, the source code of a computer application, or any other such information.
    • Use of a free format: For digital files, the format in which the work is made available should not be protected by patents, unless a world-wide, unlimited and irrevocable royalty-free grant is given to make use of the patented technology. While non-free formats may sometimes be used for practical reasons, a free format copy must be available for the work to be considered free.
    • No technical restrictions: The work must be available in a form where no technical measures are used to limit the freedoms enumerated above.
    • No other restrictions or limitations: The work itself must not be covered by legal restrictions (patents, contracts, etc.) or limitations (such as privacy rights) which would impede the freedoms enumerated above. A work may make use of existing legal exemptions to copyright (in order to cite copyrighted works), though only the portions of it which are unambiguously free constitute a free work.

    In other words, whenever the user of a work cannot legally or practically exercise his or her basic freedoms, the work cannot be considered and should not be called “free.”

    To ensure the graceful functioning of this ecosystem, works of authorship should be free, and by freedom we mean:

    • the freedom to use the work and enjoy the benefits of using it
    • the freedom to study the work and to apply knowledge acquired from it
    • the freedom to make and redistribute copies, in whole or in part, of the information or expression
    • the freedom to make changes and improvements, and to distribute derivative works

    If authors do not take action, their works are covered by existing copyright laws, which severely limit what others can and cannot do. Authors can make their works free by choosing among a number of legal documents known as licenses. For an author, choosing to put their work under a free license does not mean that they lose all their rights, but it gives to anyone the freedoms listed above.

    It is important that any work that claims to be free provides, practically and without any risk, the aforementioned freedoms. This is why we hereafter give a precise definition of freedom for licenses and for works of authorship.

  • O-E-C-H-B-U-N-O-N-E

    O-E-C-H-B-U-N-O-N-E

    A Visual Translation of This Article: http://sethto.us/8j2

    Nine Numbers of Creation: SEVEN

    (Pleiadian Renegades)

    4 May 2012

    Teacher: Nine

    At least Six pancakes between Five and Seven, for keeping on the Six weave all the time gets to be exhausting. The best of Five is its pretty baubles, while the best of Seven is its awe-inspiring world of wonder. So let us not wait another moment…

    Seven. Of all the weaves, Seven is the most gloriously wonder-filled. It is akin to fantastic bends of imagination, or dreams of pleasant yet unnatural visions. Seven acts as a renegade of real-life dreariness by bringing cathartic play near otherwise somber actualities, benefiting all. As necessary as doing footwork is, it’s also important to clasp your hands with another’s and dance. Necessary is joy, for it promotes real OM-filled, blissful, romantic creativity. Both itself and in combination with other weaves, Seven normally needs no dance partner. It is dance, and it never needs anything to make it better. It is the highest frequency of prime, the highest prime number of the numbers of creation. Having long been considered lucky, it is lucky, for nature compounds energy where thought and emotion converge. What is luck? Nothing more than energy, energy, energy based on belief and passion. Bands of thought energy coalesce where dances of passionate emotional energy focus. Jaded though you may consider yourselves to be, you still rely on the primitive method of creation through passion. Do you dance effectively without some element of passion, whether it’s of musical or sexual or crowd-induced origin? Not really, not with any life. The same is true for co-creating your reality. Graceful, spontaneous forms of reality are birthed into existence through the passionate dance of polar extremes.
    Nothing with Seven is quite what it seems. Good luck isn’t just lucky. Knowledge so far is limited on luck. Let us contribute to its expansion.

    Seven plays. You may think, “Now how does our luck really become good?” Or you may think there’s no such thing as luck at all. There is, and there isn’t. Luck is an imaginary reality based on a cultural belief in both manipulating and being manipulated by natural-world circumstances. Luck only exists because you believe it does. If you believed you didn’t believe in luck, it would continue to exist based on the energy fed to it by a drugged mass of people overly willing to give anyone or anything their passion. As long as passion is focused in one direction, it is affecting that area of focus. It is precisely this process that rising stars use to achieve success. It is also the process which any so-called government can use to enslave masses of people. That, you are saying, is too apparently true to us now. And because it is apparent, it is available as a tool for masses of people to use to create forms of reality which create better forms of social structure and lifestyle. In aiming one thread of love-powered thought close to known possible realities, better realities can be brought into existence. Radical new ideas as well as brash old ideas can develop or die by Seven’s action fueled by world beliefs and individual creativity. Luck has nothing to do with it. But passion has a lot.

    Luck and appearance are closely related, for in the lodestone of luck is the magnetic pull of appearance given purpose. World philosophical agreements border on one pole or another of a process leading to the formation of one reality or another. What nature manifests is based more on the operation of thought than on the regulation of an outside agency or luck. Growth of plants, balance of ecosystems cascade from the known. Processes of nature are really processes of the people who have observed for generation after generation all working in a balanced and sustainable way. Luck runs where emotional charge draws it. Reality forms around the particulate strands of thought woven and brought into conscious awareness by dramatic surges of energy issuing from the consciousnesses of the ones who believe with the most passion. Conscious awareness is a tricky thing, and binds one’s feet in the direction it allows to be fed, slavishly driving one to the fulfillment of belief, or bust. Nature has little say, actually, and only acts as directed by divine mind — which is precisely the problem with your quagmire of the present time. You have abdicated divine mind awareness in favor of entertainment. Knowledge of Earth-based how-to keeps sinking deeper and deeper into the mud of lost cosmic awareness, lost freedom of perception, lost range of reality-dreaming, -knowing and -making. You’ll be lucky to find a way out, create a new mental picture and activate it, but we will front five dollars on a bet you can do it. You only need to know how.

    Psst, here’s how.

    Say bringing a new reality into being, knowing and experiencing is your aim. Getting started is only a matter of believing it can be done. How luck helps is only a matter of faith in your own belief in divine order and benevolent cooperation of all that is, as directed by divine mind, which will become more apparent as love grows for yourself. So, you believe in a better world, then you believe in a divine order. Knowledge of making reality is not dependent upon a divine living entity or on an energy loving though coldly separate from the world you inhabit. Such notions are part of the problem you now face, but can easily be remedied. Reality is brought into being by your thought and the thought of others of like mind. Add to that emotional intensity, and you are in business. However, as luck would have it, not all realities are beneficial to the continuation of benevolent co-creation. You are free to alter your reality at any time, and many do. However, many simply swap one crippled reality for another. How to arrive at one that benefits all and doesn’t bother any is as simple as one, two, three… all the way to nine.

    Knowledge is part of the benevolent reality-making package. For simplicity, that component is neatly arranged in the nine strands of numbers of creation. These are not at one part creative and at another contradictory to creation. All are creative, and all are of OM. This is true long before belief enters into the mix to nudge things around. Belief is a function of creation as much as it is a creative force itself. In this apparent paradox lies the fundamental impetus to create in the weave of Seven. Belief is creative as well as created. In that apparent paradox lies the seed of understanding of the divine within the one who creates as well as the one who is created. Divinity cannot be separated from that which is divinely inspired or divinely created any more than a drop of water can be separated from known or imagined tea. You can remove water from tea, but at that point it ceases to be tea and becomes something else. It is not the form of tea any longer but has the potential to be tea again. Known tea is far different than potential tea, yet the creation of one is naturally dependent on the existence of the other. So it is with anything.

    Seven is the creative number of potential. It is the avenue by which reality and etheric nature meet and build a house, or anything. Belief is the car which drives on that avenue, and your own life is the house. Belief in detours, roadblocks or stop signs are creations of Seven as well, and are often seeded by your soul, which has the entire road map. Seven can lead to where you’ve never gone or even imagined, or where you’ve always wanted to go but never believed you could. Seven is able to create any reality, any sort of real or imagined avenue to anywhere you believe in and desire. And Seven creates more than you can possibly begin to imagine, dream or conceptualize. But all you do dream is available, growing in Seven’s fertile nature.

    Bad luck, too, is a function of Seven. Whatever you dream includes your nightmares, too. Love takes many forms in its quest to experience all, even spectres of direst aspect. You create them as you wish, even if you wish not to but energize the thought of not wanting to. Changing Seven’s direction is as easy as turning the wheel of a car, all the more so if you remember to use your turn signal and slow down. Change your central belief and the whole landscape alters to suit your changed viewpoint. All you have to do is see the road entry and decide to take a turn for the better. Luck, if you believe in it or not, will follow.

    Seven brings reality into view. It adds an element of dancing, moving, bordering-on-ecstatic energy into play in the natural world. How the natural world behaves irregardless of Seven’s dream-weaving is a function of Eight.

    (Eight to come…)

    O-E-C-H-B-U-N-O-N-E Animation Source Frames (4,481 Images)

    Below are the individual image frames to my ‘O-E-C-H-B-U-N-O-N-E‘ animated kaleidoscopic fractal visualization. There is 4,481 individual frames creating a 8 minute 11 second animated translation from a crystalline realm into our 3D physical matter based reality. These beings are allowing and guiding me to aid in unfolding the truth of their existence to those Humans who have expanded and are seeking validation of their perceptions.

    [flickr-gallery mode=”photoset” photoset=”72157629740440334″]

    Visual Work Information

    Software:
    Apophysis 7X.15 – http://apophysis.xyrus-worx.org/
    KaleiderTM 4.8.1 – http://www.whizical.com/index.htm/
    VirtualDub 1.9.11 – http://www.virtualdub.org/
    VirtualDub Filter Pack 2011 – http://codecpack.co/download/VirtualDub-Filter-Pack.html
    H.264 Encoder – http://h264encoder.com/

    Visual Work Concepts from Articles Posted on:
    http://dimensionalbliss.com
    Over 18,000 articles, videos and artworks posted since 2006.

    Member – Quantum Art Society, Italy

    Creative Commons License
    O-E-C-H-B-U-N-O-N-E by Seth A Dennon is licensed under a
    Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License.
    Based on a work at sethto.us.

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    We have implemented the following:
          Remarketing with Google AdSense
          Google Display Network Impression Reporting
          Demographics and Interests Reporting
          DoubleClick Platform Integration
    We, along with third-party vendors such as Google use first-party cookies (such as the Google Analytics cookies) and third-party cookies (such as the DoubleClick cookie) or other third-party identifiers together to compile data regarding user interactions with ad impressions and other ad service functions as they relate to our website.
    Opting out:
    Users can set preferences for how Google advertises to you using the Google Ad Settings page. Alternatively, you can opt out by visiting the Network Advertising Initiative Opt Out page or by using the Google Analytics Opt Out Browser add on.

    California Online Privacy Protection Act

    CalOPPA is the first state law in the nation to require commercial websites and online services to post a privacy policy. The law’s reach stretches well beyond California to require any person or company in the United States (and conceivably the world) that operates websites collecting Personally Identifiable Information from California consumers to post a conspicuous privacy policy on its website stating exactly the information being collected and those individuals or companies with whom it is being shared. – See more at: http://consumercal.org/california-online-privacy-protection-act-caloppa/#sthash.0FdRbT51.dpuf

    According to CalOPPA, we agree to the following:
    Users can visit our site anonymously.
    Once this privacy policy is created, we will add a link to it on our home page or as a minimum, on the first significant page after entering our website.
    Our Privacy Policy link includes the word ‘Privacy’ and can easily be found on the page specified above.
    You will be notified of any Privacy Policy changes:
          On our Privacy Policy Page
    Can change your personal information:
          By emailing us
          By calling us
          By logging in to your account
    How does our site handle Do Not Track signals?
    We honor Do Not Track signals and Do Not Track, plant cookies, or use advertising when a Do Not Track (DNT) browser mechanism is in place.
    Does our site allow third-party behavioral tracking?
    It’s also important to note that we allow third-party behavioral tracking
    COPPA (Children Online Privacy Protection Act)

    When it comes to the collection of personal information from children under the age of 13 years old, the Children’s Online Privacy Protection Act (COPPA) puts parents in control. The Federal Trade Commission, United States’ consumer protection agency, enforces the COPPA Rule, which spells out what operators of websites and online services must do to protect children’s privacy and safety online.

    We do not specifically market to children under the age of 13 years old.
    Fair Information Practices

    The Fair Information Practices Principles form the backbone of privacy law in the United States and the concepts they include have played a significant role in the development of data protection laws around the globe. Understanding the Fair Information Practice Principles and how they should be implemented is critical to comply with the various privacy laws that protect personal information.

    In order to be in line with Fair Information Practices we will take the following responsive action, should a data breach occur:
    We will notify the users via in-site notification
            Within 30 – 60 days
    We also agree to the Individual Redress Principle which requires that individuals have the right to legally pursue enforceable rights against data collectors and processors who fail to adhere to the law. This principle requires not only that individuals have enforceable rights against data users, but also that individuals have recourse to courts or government agencies to investigate and/or prosecute non-compliance by data processors.

    CAN SPAM Act

    The CAN-SPAM Act is a law that sets the rules for commercial email, establishes requirements for commercial messages, gives recipients the right to have emails stopped from being sent to them, and spells out tough penalties for violations.
    We collect your email address in order to:

          Send information, respond to inquiries, and/or other requests or questions
          Market to our mailing list or continue to send emails to our clients after the original transaction has occurred.
    To be in accordance with CANSPAM, we agree to the following:
          Not use false or misleading subjects or email addresses.
          Identify the message as an advertisement in some reasonable way.
          Include the physical address of our business or site headquarters.
          Monitor third-party email marketing services for compliance, if one is used.
          Honor opt-out/unsubscribe requests quickly.
          Allow users to unsubscribe by using the link at the bottom of each email.

    If at any time you would like to unsubscribe from receiving future emails, you can email us at
          Follow the instructions at the bottom of each email.

    and we will promptly remove you from ALL correspondence.

    Contacting Us

    If there are any questions regarding this privacy policy, you may contact us using the information below.

    Seth Dennon Visual Art (sethdennon.com)
    529 13th Street
    Rawlins, Wyoming 82301
    United States
    seth@sethdennon.com
    617-433-7384
    Last Edited on 2017-02-02
  • 12:12 GATEWAY & VIOLET FLAME VISUALIZATION MEDITATION

    12:12 GATEWAY & VIOLET FLAME VISUALIZATION MEDITATION

    I am very pleased with this piece of artwork and alignment meditation visualization aid.

    When preparing myself for collective lightwork I often create artwork to assist me in the visualization process. I see what guides, spirits and beings are here to assist me on my journey and welcome them with love and gratitude.

    There is allot in this animation, focus inward and gently notice all the beings coming together from small to large. You will find beings from the Galactic Federation of Light such as SaLuSa and Ag-agria, Ascended Masters such as St. Germain, Buddha and Jesus and every day folk in this piece. And of course they are all on the cusp of flying birds.
    This is an alignment animation to prepare for the Violet Flame meditation of 12 days. Allow your self to relax and fully visualize through your higher eyes of consciousness and you will see and feel in the core of your being the fine tuning in frequency to a higher dimension which is occurring now, right now. Observe the oneness of the masters and of yourself.

    The 12:12 activation on December 12th is an opening that can provide a softening of the heart in order to receive the all-inclusive Christ Consciousness. This powerful Light of the Christ becomes available in a way that allows all beings willing to open their hearts to receive Divine Love. As this Love permeates the atmosphere, it encourages a new level of transformational healing, with the recognition that Love is the greatest healer there is.

    As we approach 12:12 it represents a culmination of all your efforts which came before. It is an Initiation into the Higher Realms which you have earned through your long determined efforts of raising the Harmonics of the Earth Grid. Call on me, Metatron, during your Meditations to Effect Profound Healings which are available Simply by Asking.

    The violet flame cleansing will be in 12:12:12 for 12 days this is when earth energies along with human consciousness will birth us all into galactic consciousness into a 5D reality and a Star Nation will be born at the New year 2013. Become aware of the 12’s and 21’s.

    So this alignment animation aids in connection with all that is, all the guides, masters, beings everything to we are one I-am presence. It also focuses on all 12:12 activation gateways.

    Please let me know how you experienced my artwork and alignment visualization aid.

    Loving our Light!

    ~Seth Dennon

    P.s.

    12:12 Meditation & Violet Flame Links
    http://lightworkers.org/event/119551/ascension-meditation…
    http://dimensionalbliss.com/2010/12/11/121212-violet-flam…

    MUSIC TRACK:
    Afternoon Reflection by Orb Gettarr – http://opsound.org/artist/orbgettarr

    SOFTWARE USED:
    Apophysis 7x
    Flam 3.3
    VirtualDub 1.9.2
    Adobe PhotoShop CS3
    Sony Vegas Pro 10

  • Free Cultural Works

    Free Cultural Works

    Free Cultural Works

     

     

    As of August 1, 2012

    I am now adhering my work in accordance to Free Cultural Works guidelines.

     

     

     

    Shifting perspectives to redefine our world

    Free Cultural Works

    Preamble

    Social and technological advances make it possible for a growing part of humanity to access, create, modify, publish and distribute various kinds of works – artworks, scientific and educational materials, software, articles – in short: anything that can be represented in digital form. Many communities have formed to exercise those new possibilities and create a wealth of collectively re-usable works.

    Most authors, whatever their field of activity, whatever their amateur or professional status, have a genuine interest in favoring an ecosystem where works can be spread, re-used and derived in creative ways. The easier it is to re-use and derive works, the richer our cultures become.

    Defining Free Culture Licenses

    Licenses are legal instruments through which the owner of certain legal rights may transfer these rights to third parties. Free Culture Licenses do not take any rights away — they are always optional to accept, and if accepted, they grant freedoms which copyright law alone does not provide. When accepted, they never limit or reduce existing exemptions in copyright laws.

    Essential freedoms

    In order to be recognized as “free” under this definition, a license must grant the following freedoms without limitation:

    • The freedom to use and perform the work: The licensee must be allowed to make any use, private or public, of the work. For kinds of works where it is relevant, this freedom should include all derived uses (“related rights”) such as performing or interpreting the work. There must be no exception regarding, for example, political or religious considerations.
    • The freedom to study the work and apply the information: The licensee must be allowed to examine the work and to use the knowledge gained from the work in any way. The license may not, for example, restrict “reverse engineering”.
    • The freedom to redistribute copies: Copies may be sold, swapped or given away for free, as part of a larger work, a collection, or independently. There must be no limit on the amount of information that can be copied. There must also not be any limit on who can copy the information or on where the information can be copied.
    • The freedom to distribute derivative works: In order to give everyone the ability to improve upon a work, the license must not limit the freedom to distribute a modified version (or, for physical works, a work somehow derived from the original), regardless of the intent and purpose of such modifications. However, some restrictions may be applied to protect these essential freedoms or the attribution of authors (see below).

    Permissible restrictions

    Not all restrictions on the use or distribution of works impede essential freedoms. In particular, requirements for attribution, for symmetric collaboration (i.e., “copyleft” or “Attribution”), and for the protection of essential freedom are considered permissible restrictions.

    Defining Free Cultural Works

    In order to be considered free, a work must be covered by a Free Culture License, or its legal status must provide the same essential freedoms enumerated above. It is not, however, a sufficient condition. Indeed, a specific work may be non-free in other ways that restrict the essential freedoms. These are the additional conditions in order for a work to be considered free:

    • Availability of source data: Where a final work has been obtained through the compilation or processing of a source file or multiple source files, all underlying source data should be available alongside the work itself under the same conditions. This can be the score of a musical composition, the models used in a 3D scene, the data of a scientific publication, the source code of a computer application, or any other such information.
    • Use of a free format: For digital files, the format in which the work is made available should not be protected by patents, unless a world-wide, unlimited and irrevocable royalty-free grant is given to make use of the patented technology. While non-free formats may sometimes be used for practical reasons, a free format copy must be available for the work to be considered free.
    • No technical restrictions: The work must be available in a form where no technical measures are used to limit the freedoms enumerated above.
    • No other restrictions or limitations: The work itself must not be covered by legal restrictions (patents, contracts, etc.) or limitations (such as privacy rights) which would impede the freedoms enumerated above. A work may make use of existing legal exemptions to copyright (in order to cite copyrighted works), though only the portions of it which are unambiguously free constitute a free work.

    In other words, whenever the user of a work cannot legally or practically exercise his or her basic freedoms, the work cannot be considered and should not be called “free.”

    To ensure the graceful functioning of this ecosystem, works of authorship should be free, and by freedom we mean:

    • the freedom to use the work and enjoy the benefits of using it
    • the freedom to study the work and to apply knowledge acquired from it
    • the freedom to make and redistribute copies, in whole or in part, of the information or expression
    • the freedom to make changes and improvements, and to distribute derivative works

    If authors do not take action, their works are covered by existing copyright laws, which severely limit what others can and cannot do. Authors can make their works free by choosing among a number of legal documents known as licenses. For an author, choosing to put their work under a free license does not mean that they lose all their rights, but it gives to anyone the freedoms listed above.

    It is important that any work that claims to be free provides, practically and without any risk, the aforementioned freedoms. This is why we hereafter give a precise definition of freedom for licenses and for works of authorship.

    How does Seth license his visual work?

    as of August 1, 2012

    My  visual work,  settings files, configuration files and related media use this license


    Creative Commons License

    This work by Seth Dennon is licensed under a Creative Commons Attribution 3.0 Unported License.

    I mark my work in the image files when possible and also make my licensing on each piece where published,  through RDF links and/or a text mark usually in the works description.

     

    How do I give you proper Creative Commons Attribution?

    There are several ways to give proper Attribution to my work when you use,  display, rework or distribute my licensed work.
    Here a good start: http://wiki.creativecommons.org/Marking/Users